2006 brings a new edition of our annual celebration of recent films from Iran. Many of the films in this year's program exhibit a reflective quality perhaps influenced by the country's shifting political and social climate. The seven films in this series cover such diverse issues as spirituality (SO CLOSE, SO FAR; A PIECE OF BREAD), family relationships (WE ARE ALL FINE) and the human cost of war and natural catastrophes (WAKE UP, AREZOO!), while also looking at modern urban life and the fringes of Iranian society (PORTRAIT OF A LADY FAR AWAY).
One of Iran's best-known actresses, Niki Karimi, makes her feature film directorial debut with ONE NIGHT, the daring story of a young woman's nocturnal journey through the streets of Tehran. Our series commences with one of the strongest Iranian films of recent years: IRON ISLAND, a stunning depiction of an impoverished community living aboard a rusting ship off the coast of Iran. This array of new work by both emerging and established directors highlights the depth and breadth of filmmaking talent in Iran.
One of Iran's best-known actresses, Niki Karimi, makes her feature film directorial debut with ONE NIGHT, the daring story of a young woman's nocturnal journey through the streets of Tehran. Our series commences with one of the strongest Iranian films of recent years: IRON ISLAND, a stunning depiction of an impoverished community living aboard a rusting ship off the coast of Iran. This array of new work by both emerging and established directors highlights the depth and breadth of filmmaking talent in Iran.




Comment