Rebirth of Rostam

[RedWine]

تولد دوباره رستم يا Rebirth of Rostam اسم انيميشن جديديه که داستان رستم و پهلوانی های اون رو به تصوير می کشه. سعيد قهاری کارگردان و سازنده اين فيلم فوق ليسانس کامپيوتر داره و سالهاست که در بريتانيا زندگی می کنه

سعيد اين فيلم رو به ياد پدرش استاد علی قهاری مجسمه ساز مشهور ايرانی ساخته که ۷ سال پيش در ايران درگذشت. سعيد که از بچگی از طريق شاهنامه خوانی مادرش با داستانهای اسطوره ای ايران آشنا بوده، هميشه نزديکی خاصی با اشعار فردوسی حس می کرده. و اتفاقا مارش خانم مهين قهاری در تدوين اين انيميشن نقش بزرگی داشتن
سعيد قهاری: من وقتی به نسل ايرانی که خارج از ايران بزرگ شدن نگاه می کردم، جوون هايی رو می ديدم که حتی نمی تونستن فارسی بخونن يا بنويسن. چه برسه بتونن کتاب های شاهنامه و مولوی رو بخونن و متوجه بشن. بنابراين بهترين حالتی که می تونستم اين فرهنگ رو به اين افراد نشون بدم، يک حالت تفريحی بود، مثلاً به صورت فيلم. من هميشه اعتقاد داشتم در فرهنگی که رستم ها و آرش ها رو داره، ما احتياجی به سوپرمن ( Superman ) و بتمن ( Batman ) نداريم! قهرمانان فرهنگ ما بايد هميشه در يادمون بمونن و الگوهايی باشن برای همه ما
سعيد جان، داستان رستم و سهراب رو کمابيش همه ميدونن. می خواستم بدونم تو منظورت از درست کردن اين فيلم انيميشن که مقداری هم با داستان شاهنامه فرق داشت چيه؟

پيام اول اين فيلم خيلی مشخصه. شناخت خدا و خود انسان. من زمانی که در ايران بودم ورزش رزمی می کردم و شعار ما اين بود که "گر به خدايی، به خدايی رسی، به خدا" ... کلمه "خدا" در آخر اين جمله خيلی جالبه که هم قسم به خدا می خوره و هم اينکه ميگه به خودت بيا. اين موضوع هميشه توی فرهنگ ما بوده. وقتی آدم شروع کنه به شناختن خودش، شروع می کنه به شناخت خدا
پيام دوم هم عشق به خاک و وطنمونه. درسته که ممکنه ما کيلومترها از وطن خودمون فاصله داشته باشيم، اما عشق اون هميشه توی وجود ما هست و ما همه ريشه در خاکمون داريم.

موسيقی اين فيلم رو يک جوان ايتاليايی درست کرده که تقريباً پنج نوع ميزان و حالت مختلف داره. حالت اهريمنی افراسياب و هومن، حال عشق و علاقه پدر و پسر و عشق و علاقه به وطن. کلاً در ساخت اين فيلم از آخرين متدهای روانشناسی استفاده شده. مثلاً در تدوين صحنه ها، رنگ ها و موسيقی. همه اينها طوری تنظيم شده که بتونه بيننده رو مجذوب خودش بکنه و پيغام ها رو بهتر برسونه
اکثر افرادی که در اين فيلم صحبت کردن، دوستان و افراد خانواده خود من هستن و خيلی هم خوب صحبت کردن. وقتی تصميم به شروع اين فيلم گرفتم، سرمايه خيلی کمی داشتم. در زمان کار خيلی سعی می کردم اون رو به بهترين حالت ارائه بدم ولی در عين حال کار بايد در حد بودجه خودش می موند. با تمام اين حرف ها خرج اين فيلم خيلی بيشتر از اونی شد که فکر می کردم
من تصميم داشتم اين فيلم رو به مدت ۲۵ دقيقه درست بکنم. اين انيميشن رو در يک استوديو در هند درست کردم که تکنولوژی خيلی خوبی دارن، اما قيمت اونها به اندازه هاليوود نيست. اما بعداً ديدم ۲۵ دقيقه برای داستان کافی نيست و فيلم در نهايت با ۵۰ دقيقه انيميشن تموم شد. سرمايه و زمان اون هم سه برابر شد
من می خواستم فرهنگ خودمون رو با تاريخمون هماهنگ کنم. جوانان ما که در اين عصر زندگی می کنن، بايد بتونن رابطه ای بين خودشون و اين فرهنگ و تاريخ حس کنن. برای همين قصر پرسپوليس رو من از روی پرسپوليس واقعی طراحی کردم. البته شکل اون رو يک مقدار عوض کردم. مثلاً دژ سپيد رو از روی ارگ بم طراحی کردم که بتونه يک مقداری فرهنگ ما رو نشون بده
البته اين فيلم دقيقاً به همون فرمی که حکيم فردوسی نوشته ساخته نشده چون کار بسيار سخت و پر هزينه ای می شد. اين فيلم برداشت من از اين کتابه که فکر می کردم برای فرهنگ الان ما مناسب باشه

[RedWine]

The Rebirth of Rostam
An epical masterpiece remodeled. A story of love, betrayal, bravery and sacrifice comes to life for the first time in this 3D animation motion picture.

Based on “Rostam and Sohrab” from “Shahnameh” by “Hakim Ferdowsi”, Dreamor takes you onto a journey of culture and history full of adventures, surprises and twists.

An unwanted war between a father and his never-met son under evil influences which keeps their identity secret until an inevitable death...

The legendary Rostam, Persia's bravest general and hero, who is a descendent of the kings, and whose father was brought up by a prophetical bird "Simourgh". Rostam's mission in life is to support the Persian empire and to protect the righteous paths of good against evil...
In one of his adventures he travels to "Samangan", a neighboring country. King of Samangan, honored by his visit, invites him to stay in his palace overnight...


Tahmineh, the beautiful princess of Samangan who was deeply in love with Rostam, takes this opportunity to express her love to Rostam, asks him to marry her, and stays in Samangan with the hope of him becoming the king of Samangan in the future. Rostam, sworn to his people, can not accept Tahmineh’s offer to stay... Tahmineh in love with his bravery and wisdom, is prepared to be married to Rostam even if apart, with the hope that god gives her a son like him...

Soon after Rostams returns to Persia, "Afrasiab", the vicious king of "Tooran", forces the king of Samangan to join him in war against Persia. The old king of Samangan who can not withstand Afrasiab's evil forces surrenders...

Meanwhile Tahmineh gives birth to Sohrab a beautiful boy who from the very beginning, shows the extraordinary strength inherited from his father: strong, brave, and forgiving..like his ancestors...
The long wars between Tooran and Persia keep Rostam involved in constant battles leaving him unable to meet his wife and newborn son...

Sohrab, now in his early youth, strong and powerful and brave like no other man in his land, finally finds out from his mother "tahmineh", that he is the son of Rostam.

Upon discovering the truth and determined to meet his father, he begins to gather an army to accompany him to the land of Persia. Afrasiab also finding out about Sohrab’s identity, makes a vicious plan, and sends a huge army with his strongest general "Hooman". Hooman's other secret mission is to mislead Sohrab by not letting him find out who his father is so that the father and son might get involved in a battle... a battle that no matter who dies, is to the advantage of Afrasiab...

Sohrab, unaware of this evil plan, marches his army to Persia. At the first post in the border of Samangan and Persia, the army under the leadership of Hooman attacks White Fortress, the Persian stronghold on the border...

News of the attack flies to the "Persepolis", the centre of Persia via "Peyk", the messenger eagle...

Rostam leading Persian forces, hurries to the border...

Watch the TH. here :http://www.dreamor.com/downloads.htm

[RedWine]

With a bold move to animate one of the greatest stories from Ferdowsi’s Shahnameh, Saied Ghahari has always been an admirer of Persian culture. Growing up in Tehran next to an artistic father, he was surrounded by sculptures and paintings. His mother used to read him stories from the Shahnameh. With The Rebirth of Rostam almost finished, Saied has an accomplishment to be proud of. We took this opportunity to go behind the scenes.


What made you decide to do an animation on the great Iranian epic of Shahnameh, in particular the legendary story of Rostam & Sohrab?



Saied Ghahari: I am always entranced by stories and metaphors in our literature. Shahnameh specially is full of fairy tales, epics and references to history. It takes the reader into a beautiful world of a mixture of reality and some form of a fantasy. After all, what is reality?

At the same time that Shahnameh is a mythological and philosophical collection of stories, it creates a fairytale in which everything is possible. And that makes its stories popular to younger readers, where philosophies such as those from Molana and Attar may appeal mostly to more mature ones.

Rostam specially has such a great value and emphasis in our culture. When I was younger and watching films of Superman or Hercules, I was thinking of our own Rostam. He is such a great hero and role model.

What is the wider purpose of your project

SG: Our culture is one of the purest on the earth. It is ours now to learn, flourish and expand and use in our daily lives as a way of life.

As well as letting the whole world to know more of our culture, new Persian generations born in other countries than Iran do not have much exposure. Now which forms of media do they respond most too? There are some others who also noticed the power of these medias to promote our culture, for example the people behind “Babak & Friends” and “Hyperwerks” who are making comic books based on the Shahnameh. I recently found out about a group who are making a computer game too, quest of Persia. I am so glad of these new waves, and surely hope to see much more.



What were your greatest challenges and limitations?

SG: We had all sorts of challenges you can imagine: finding the right people and resources as well as financing the film. We had heavy technical limitations such as how to create armies of over 25,000 computer created soldiers marching in a scene longer than 45 seconds. Also, making the computer created characters act in a way to create some feelings in the audience; we had to simulate having some characters and souls. Then it was the motions and fighting scenes, specially those involving horses. We have used motion capture to create the most naturals movements, then we adjusted some of the moves to make it a little in a fantasy style.

What sort of research did you do about the background of the story, the depiction of the scenery(Persepolis), the character costumes, and the props used in the film?


SG: Lots of reading, which was a great part of making this film. I thought mixing our history with our culture makes great sense. so as to recreate the Persepolis as the center of Persia, as well as recreate the Argeh-Bam as Dejhe Sepid (White fortress). As for the costumes, we had to compromise for technical reasons. It was very difficult to simulate the cloth in a mass scale for the armies, so we designed metal. However, we kept the design of Persepolis guards to be close to what it really use to be.

How long did this take you to complete the film and how much did it cost?

SG: It took us almost 3 and a half years. Over 140 people in different stages worked on this film. The cost, well, it may well be one of the most expensive films ever made in the Persian language.



Who did the animation? Tell us about the technology you used and why? Why not 2D or another medium?


SG: I searched around Eastern Europe and the Far East to find a studio with great expertise and reasonable cost. I went to India and the Philippines and visited many computer animation studios. Paprikaas studios in Bangalore, India seemed to me as the best amongst them. They were incidentally also the most expensive, but I am glad I took my project there. I am sure once you see the film you agree with me that I think they did a great job.

Why 3D? You can achieve an amazing level of realism with 3D that you can not get with 2D and at the same time, it is still fantasy, Things like camera maneuverability, set and character designs, lighting, almost everything in 3D is so closer to reality.

You wrote the story in Persian. Tell us why Persian and not another language?

SG: Very simple. The film is first and foremost for Persians. Everywhere they are, they speak the language of that country and they all speak or at least understand some level of Persian too. It has subtitles in English for those who might not be as fluent in Persian. After distribution to Persians, we might dub it in other languages.


http://www.persianmirror.com/Images/Articles/815/RostamSohrab.jpg


How do you plan to distribute the film?

SG: At the moment, we are planning to distribute the film via dreamor, on line sales is looking to be our best option to reach worldwide audiences.

Is there going to be more projects like this to tell the other stories of the Shahnameh?

SG: I surely hope so. Shahnameh, like so many other great books in our culture, is full of amazing metaphors and adventures. They must be retold; remembered ad re-lived with us every day. The amazing things about these metaphors is that every now and then, they sparkle a series of thoughts in you... they can give you a sense of well-being. And maybe more so, they may suddenly open up a new window to see the world from and while you are looking to the vast beauty through that window, you may find yourself feeling contempt. Some sense of knowing, without knowing; like a blind person who suddenly feels like he knows what is the color red. Have you ever had that feeling?

Desert Island Three things. What will you take?

SG: Some confidence, bit of curiosity and a sense of adventure.

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