Unlike many ancient civilizations, such as Greece, Rome or Egypt, Persia has hardly been given significant attention in Hollywood. This is mainly due to lack of significant feedback and study on Persian civilization which has never quite penetrated Western popular culture. Only an elite group of Western scholars ponder on the "mysterious" Persian Empire.
To many, Persia, before changing it's name to Iran in 1926 (for Iranians, Iran and Persia have always been synonymous, only that Persia refers to the province of Pars or Fars in southern Iran) was no more than an imaginary country often confused with the legend of Atlantis. Apart from a few films such as Robert Rossen's "Alexander the Great" or a Raoul Walsh's "Esther and the King", it is rare to see Persian characters and culture in Hollywood films.

However a few films do emerge beneath the veil that seems to cover ancient Persian history. Persia's Hollywood presence goes back to 1916 in D.W Griffith's film "Intolerance." Through different ages in history, starting with the conquest of Babylon by Cyrus the Great, through the Barthelemy Massacre in Middle Age France, up to modern America, Griffith attempts to portray intolerance as a consistent historical fact. He shows a woman milking her baby in a rocking chair as a transition between the different ages.
"Intolerance" was shot in sixteen weeks with a budget of $400,000. Some 5,000 extras were employed in the three-hour epic. The reconstruction of Babylon is truly magnificent and the famous "push in" of the camera through the Gates of Babylon (45 meters high) and it's famous falling Gardens is to remain in film history as an icon of what Hollywood was capable during the silent era.
To many, Persia, before changing it's name to Iran in 1926 (for Iranians, Iran and Persia have always been synonymous, only that Persia refers to the province of Pars or Fars in southern Iran) was no more than an imaginary country often confused with the legend of Atlantis. Apart from a few films such as Robert Rossen's "Alexander the Great" or a Raoul Walsh's "Esther and the King", it is rare to see Persian characters and culture in Hollywood films.

However a few films do emerge beneath the veil that seems to cover ancient Persian history. Persia's Hollywood presence goes back to 1916 in D.W Griffith's film "Intolerance." Through different ages in history, starting with the conquest of Babylon by Cyrus the Great, through the Barthelemy Massacre in Middle Age France, up to modern America, Griffith attempts to portray intolerance as a consistent historical fact. He shows a woman milking her baby in a rocking chair as a transition between the different ages.
"Intolerance" was shot in sixteen weeks with a budget of $400,000. Some 5,000 extras were employed in the three-hour epic. The reconstruction of Babylon is truly magnificent and the famous "push in" of the camera through the Gates of Babylon (45 meters high) and it's famous falling Gardens is to remain in film history as an icon of what Hollywood was capable during the silent era.



Comment