modern acting ,new way of acting

[green_president2004]

this thread is about modern acting here you learn how to act
Acting-approach acting

Lessons:

I

acting

VII

plan

XIII

director

II

think

VIIIboundaries

XIV

staging

III

character

IX

style

XV

Shakespeare

IV

feelings

X

five senses

XVI

camera

V

body

XI

experiences

XVII

problems

VI

emotional range

XII

comedy

XVIIIskills

[green_president2004]

Acting Notes 2: Page Two
561. Science fact: All emotions are all the same in physical signs: Heart rate and electrical impulses.
560. Work as an actor is to be an entertainer.
559. Emotionalism is not the emotion of the character.
558. Don't make assumption about characters.
557. Talent will take care of you. Don't just perfect skills. Act down to your finger tips.
556. All about feelings. Get it down to your feelings. Just be involved, don't dream up things.
555. Comedy and drama both build on difficulty.
554. Think of showmanship, think of a new way.
553. No muscle tension in an emotion.
552. A clash of emotions, not a conversation, people effect each other with emotions.
551. Don't look for psychological conclusions as an actor.
550. (Captain acts a nice man. It's the way others react that make him mean.) The "Strong Man" effect.
549. Learn the words and do it.
548. Work with emotion.
547. Never do a scene without a point of view.
546. Staging comes from the actors. What is my position - am I the aggressor?
545. There must be a character change in a story, less so or more so.
544. Scene must be a contest of wills.
543. It is good for a director to know all the elements of movie making.
542. Actors hate to play villains. Director must keep them in place if actor starts being likable.
541. Life is so funny, because it is illogical.
540. You have to know where the laughs are and then define them. Comedian has to decide where laugh is. Leave time for laugh. Know in your planning the big ones, normal ones, chuckles, etc.
539. Don't play the effect, you cry audience won't cry.
538. Pick objectives you can do something about.
537. Don't have performance in mind, have character in mind. Don't fall in love with your performance.
536. Both actors were aware that they were in a comedy. They were kidding their characters. Don't make fun of character.
535. Acting is the work of imagination.
534. Don't wait for a Director to tell you anything. He doesn't have time.
533. Authors know words, not acting. They give actors something to interpret.
532. Don't do things under insecurity, audience is not interested in actor.
531. Every moment is story telling.
530. Quality is best. Physical means nothing. Cast according to that.
529. Explore the people. What is the thing that bonds the people.
528. Do not fall in love with one thing, try many different ways as an actor.
527. Do not go plot.
526. Don't play the effect how you want the audience to react.
525. Humanity is a clown. We're all clowns.
524. Drunk condition: floor is moving, eyes out of focus, you see four chairs, instead of one, tongue is three times as thick, like having thick paper wad in your mouth.
523. Human behavior; understand the creature we are.
522. Power of the actor: how to make the audience stop laughing.
521. Mistake: Don't have a protagonist feel sorry for themselves.
520. Audience is extremely sentimental, always for the good guy.
519. Find the essence of an actor, go by what the story requires.
518. Chose emotion and objective, your body will behave in the character.
517. Principles never change, it's always there.
516. Technique - Once you spot the nature of the joke stay with it.
515. What is scene suppose to do to the audience: (this scene should tear the audience heart out.)
514. Find yourself in the skin or world of your character.
513. Don't act without feeling. Turn your talent loose.
512. Humor is based on foibles of the characters.
511. Character can be out of control, not the actor.
510. People fight even if they're down.
508. Can't act with head, comes with emotion.
507. As long as you're conscious of what is going on, you won't hit the mark.
506. Leave your body (talent) alone, it will do all the right things.
505. Don't rob it from the audience. Let as much control go as possible.
504. Know everything for the first time, as if there was no rehearsal.
503. Character must struggle.
502. Send the audience right messages.
501. Conversation is not a scene.
500. Make it look real; quality of the accidental.

"In the end, it can't look like acting."

[Rostam]

HEEEE, this is fun, it realy shows you how each parts' responsibility.

It's cool.

Thanks.green_president2004

[green_president2004]

khahesh mikonam, age az inja khoob tarafdary beshe ye quiz ham mizaram

[Dariush]

good job, man
that was very interesting

[jjbb]

aval khodet emtehan bedeh bebinam chand migieri.

[green_president2004]

man mamoolan sefr migiram vase hamin shomah bayad bedin

[Cop]

eyval GP, khaste nabashi albate man niaz be ina nadaram 3ta az doostam actors hastan back home so oona yadam midan behtare

sorry threadeto nadide boodam

[green_president2004]

acting quiz


0173 Comedy must be _________ to look at. a) real wrong

b) light wrong

c) funny correct
d) none of the above wrong

0172 Life is accidental, not ... a) satisfied wrong

b) natural wrong

c) rehearsed correct

d) none of the above wrong

0171 Each joke has to be... a) logical wrong

b) framed correct

c) efficient wrong

d) none of the above wrong

0170 Examine the material and always play... a) with it wrong

b) against it correct

c) truthful wrong

d) none of the above wrong

0169 Technical things: can't mumble words in eating food. Teach yourself to drink and eat, condition your body in... a) rehearsal correct

b) reading wrong

c) life wrong

d) none of the above wrong

0168 Audience associate themselves with... a) emotions wrong

b) characters correct

c) screenwriters wrong

d) none of the above

[green_president2004]

inam az quiz shoma ha age nemidoonestid hads bezanid