The Bahar of Hollywood

[Rasputin]

Prince of Persia: Sands of Time (2007)

Genre: Action / Adventure (more)

Plot Outline: Based on the video game, which follows an adventurous prince who teams up with a rival princess to stop an angry ruler from unleashing a sandstorm that could destroy the world.

User Comments: Wow..... i am thrilled only with the movie idea.... (more)

Production Notes/Status:
Status: Announced
Comments: Still in active development.
Status Updated: 2 February 2006
Note: Since this project is categorized as being in production, the data is subject to change; some data could be removed completely.

Credited cast:
Josh Somerhalder .... The Prince
Bahar Soomekh .... Farah (rumored)
(more)


Country: USA
Language: English
Color: Color

[Sepideh_UK]

tawana bovad har ke poldar novad

LOOOOOOOOOOL

[Sepideh_UK]

Eyval be in Bahar khanum.

[ares]

vaghti tu Crash didamash, fekr kardam arabe vali inke iranie. Damash garm.

[ramin2999]

good shiznit

[Rasputin]

she's nice and good actress and havin good future in cinema HW !

[donsaeid]

هاليوود و جهان

[donsaeid]

[Rasputin]

dastet dar nakoneh saeid jan, kashki english in article ham mizashtish ageh dari !

[donsaeid]

maghale ghadimie... 99'

[Rasputin]

maghale ghadimie... 99'

Pufffffff !!! agar ahianan peida kardi english ino,yek thread baz kon bezar, chand saleh donbaleh yek hamchin article haei hastam keh ghashang, bedouneh gharaz,pateyeh in HW ro berize biroun !

Ba in hal dastet dard nakoneh

[donsaeid]

ye niga bendaz OXFORD archive... tamame etelaatesh akhare on article hast

[Rasputin]

miram mibinam, grazie Don saeid ... .

[Rasputin]

Saw III carves up US box office

[Rasputin]

Pain: it's part of the puzzle. Blood: it's the price of freedom. Death: it's not that easy.
-Tagline of Saw III

Staff at a UK cinema have had to call emergency services three times in one night because of a spate of people passing out during horror film. According to the BBC news service, One woman was taken to hospital and two other adults had to be treated by medics after they fainted in Stevenage. No this is not a rehearse of the making of a Steven Spielberg JAWS remake but noticed reactions to the third sequel to James Wan’s Horror movie SAW directed for a second time by Darren Lynn Bousman. “If know you're squeamish, don't go,' warned a spokesman for the East of England Ambulance Service. 'This is obviously a blood-thirsty film. Some of the scenes are fairly horrific,' Matthew Ware told the BBC News Website. All the incidents took place on Friday evening, one of the busiest nights of the week for emergency crews, he added. A woman in her twenties was discharged from the Lister Hospital in Stevenage after being treated. And the two other cinemagoers - who had been at the town's Cineworld complex - were left 'in the care of friends and relatives' without needing to be taken to hospital. A man aged 34 fainted at the Showcase in Peterborough, Mr Ware said. There was also a case of a 22-year-old woman passing out at Cineworld in Cambridge on Friday, but it had not been confirmed that she was watching Saw III, he added. The slasher movie - currently number one at the North American box office - was released last week in the UK …

As strangely sentimental as it may it may sound, relationships are as integral to the SAW universe as any of the bone-snapping, tendon-stripping, audience-pleasing traps it showcases. From Dr. Gordon and Adam to Detective Matthews and Kerry; Daniel and Amanda to Zep and Jigsaw, the “family” tree on which its key players hang bears all of the drama and twists of an afternoon soap opera. Except this is a soap unlike any you have ever seen, of course—a splashy Grand Guignol concoction of mayhem, sacrifice, deception and revelation. In fact, with the advent of SAW III fans will soon realize just how deep the relationships cut among some of its returning cast (like Tobin Bell and Shawnee Smith as John “Jigsaw” Kramer and Amanda, respectively) and new victims Jeff and Dr. Lynn Denlon.

The latter, a dejected surgeon played by 31-year-old Bahar Soomekh, is pulled into Jigsaw’s machinations more out of necessity, in this chapter, than lesson-learning…or so we think. He needs her expertise to keep him alive for one final game (a moral passage experienced by Jeff, played by Angus Macfadyen) before he succumbs to the cancer that has been devouring him over the course of two films. In the event that Lynn tries to escape Jigsaw’s lair, a lethal, almost Cleopatra-esque collar has been rigged around her neck to ensure her dedication to the cause. To further complicate matters, Lynn must contend with Jigsaw’s former victim/now partner Amanda, who doesn’t take kindly to the fact that her mentor’s attention is being redirected elsewhere. Needless to say, it’s this kind of blueprint of deadly liaisons (scripted once again by Leigh Whannell) that actors love to chew on—especially a thespian who, until now, has had only bit parts on television and supporting big-screen roles.

Soomekh, a self-confessed squeamish viewer of anything remotely scary, had not seen the SAW films until she was offered the role of Lynn. Coming off the Academy Award-winning CRASH and this past summer’s MISSION: IMPOSSIBLE III, the Iranian-born actress owns up to facing her differences (i.e. “being scared shitless”) with horror head-on when she signed on to Bousman’s film—an initiative to spread her career across a wide palette of genres. It certainly helped that she found Whannell’s script compelling, the franchise is hot and the character gave her plenty of material to draw from.





Photo 1: Shawnee Smith and Bahar Soomekh in Saw III ©Lionsgate Films' 2006

“Now that I know the SAW world, I believe each one takes it to a different level, and this one is much more emotional than the other films,” Soomekh says, choosing her sentences carefully so as not to spill the beans on plot specifics, even as she speaks to Fango less than a week prior to the film’s release. “I knew this was going to be a different kind of place than I had ever gone before; that’s why I wanted to challenge myself.” And in doing so, the actress took measures to prepare herself, such as “going into therapy so, mentally, I was able to switch in and out of this character, because it’s a hard place I go to. When I was in this role, I was there all day, every day, and it came into my dreams and life and was a hard thing to switch off. Maybe I didn’t understand the intensity of it, but I did know it was going to be a rough journey.”

Assurance that this trip would be a non-damaging one came at a small price, as the raven-haired beauty with the drop-dead smile will tell you. “When I went in to meet Darren, I said to myself, ‘Can I trust this guy to watch over me while I go to this dark place? Can I make sure he’s going to take care of me?’ “ Bousman’s energy and collaborative nature with his cast quickly set her mind at ease, however, even during a small mishap with the collar she wore throughout the shoot.

“That thing was real metal, and it was heavy,” she sighs, hands wrapping over her collarbone. “It was over my shoulders and on my shoulder blades the whole time. There’s this scene where I go over to the jaw-trap [from the first film], which is sitting on a table in Jigsaw’s lair, to see what it is. I get close and the thing explodes to life. No matter how many times you do it, you’re going to get scared, because there’s this big pop when it goes off. During one take I jumped, and in the process the collar, loaded with triggers, just hit me in the chin. I got cut and was bruised there, and that was the straw that broke the camel’s back that day. The floodgates got going, and while I was emotional the whole time, that just got me crying. Like, ‘Get this f**kin’ thing off of me!’ So they gave me a nice foamy one I could use from time to time.”

Collar aside, a threat of another kind looms over Lynn during the film. For the most part, she has little to fear from a frail, dying man on a hospital bed. It’s the observant, roaming firecracker named Amanda (who’s being groomed to carry on Jigsaw’s work) whom Lynn has to tread carefully around—a tough feat given the close proximity in which they’re forced to enact their battle of wits. “There was some real tension there,” Soomekh recalls. “The dynamics of Lynn and Amanda are so intense and powerful. There’s such a jealousy on Amanda’s part, because I have taken on the role of protecting and taking care of Jigsaw.






Photo 2: Iranian born MARK AMIN, Vice Chairman, Lions Gate Entertainment © Lionsgate Films'




“Lynn is scared of Amanda,” she notes. “I want to kill her, and at the same time I’m depending on her to keep me alive because I know in a heartbeat that she can destroy my life. So, there was such an unbelievable intensity between Shawnee and me. There’s a moment where she was choking me and pushing me against the wall. I knew she was going to flip out and grab me, but I didn’t expect Shawnee to take me like that. I mean, she was hurting me, she had my jaw in this grip and I was trying to fight her off—it was animalistic, man! Pure animalistic hatred and fear. When Jigsaw tells her to back off and I say, ‘You f**kin’ freak!’ while she’s walking out of the room…that was genuine, that wasn’t in the script. That was pure anger from me. And I was just left there crying. When Darren called ‘Cut,’ Shawnee came running over and gave me this big hug and was like, ‘Are you OK?’ It was so weird for me because a second before, I was so angry at her—but you discover you’re in this moment. That’s what is so fascinating about this job: You have to flip a switch all the time.”

Despite the schizo nature of the profession, Soomekh recalls there being a supportive atmosphere among the SAW III cast between takes. “We were always dissecting the characters, making them rich and fleshing things out, taking emotional journeys and really getting to the heart of it so the dynamics would be real,” she says. “I’ve never, ever dissected something so much, and because of Darren, the characters were made meatier too. I gave him all I had and all the ranges of emotion that Lynn would go through—from anger to fear to love.

“One thing we wanted to do was, as Amanda is moving further and further away from Jigsaw, Lynn and Jigsaw develop this creepy closeness between capturer and captive,” she continues. “Jigsaw is peeling away her layers and getting to the heart of why Lynn has felt dead inside. That’s a cool dynamic we worked on. Tobin sketched out what we wanted to do, which fuels Amanda’s jealousy but makes Jigsaw and Lynn closer. So much so that you get the impression that Jigsaw might even protect her.

'There was a fight sequence between Amanda and Lynn that was very intense,' Soomekh concludes, 'but Darren ultimately pulled the scene out. Lynn was fighting for her life in that scene, though; she’s a smart woman and she knows what’s going on. The character could’ve been played totally differently—whimpering her way through it—but we wanted to give her some strengths.”