Perfume

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  • Rasputin
    Senior Member
    • Jan 2005
    • 63906

    #1

    Perfume

    Perfume is a mixture of fragrant essential oils and aroma compounds, fixatives, and solvents used to give the human body, objects, and living spaces a pleasant smell.

    Grouping perfumes, like any taxonomy, can never be a completely objective or final process. Many fragrances contain aspects of different families. Even a perfume designated as "single flower", however subtle, will have undertones of other aromatics. "True" unitary scents can rarely be found in perfumes as it requires the perfume to exist only as a singular aromatic material.

    Classification by olfactive family is a starting point for a description of a perfume, but it cannot by itself denote the specific characteristic of that perfume.




    The traditional classification which emerged around 1900 comprised the following categories:

    Single Floral: Fragrances that are dominated by a scent from one particular flower; in French called a soliflore. (e.g. Serge Lutens' Sa Majeste La Rose, which is dominated by rose.)
    Floral Bouquet: Containing the combination of several flowers in a scent.
    Ambery: A large fragrance class featuring the scents of vanilla and animal scents together with flowers and woods. Can be enhanced by camphorous oils and incense resins, which bring to mind Victorian era imagery of the Middle East and Far East.
    Woody: Fragrances that are dominated by woody scents, typically of sandalwood and cedar. Patchouli, with its camphoraceous smell, is commonly found in these perfumes.
    Leather: A family of fragrances which features the scents of honey, tobacco, wood and wood tars in its middle or base notes and a scent that alludes to leather.

    Chypre: Meaning Cyprus in French, this includes fragrances built on a similar accord consisting of bergamot, oakmoss, patchouli, and labdanum. This family of fragrances is named after a perfume by François Coty.
    Fougère: Meaning Fern in French, built on a base of lavender, coumarin and oakmoss. Houbigant's Fougère Royale pioneered the use of this base. Many men's fragrances belong to this family of fragrances, which is characterized by its sharp herbaceous and woody scent.

    Since 1945, due to great advances in the technology of perfume creation (i.e., compound design and synthesis) as well as the natural development of styles and tastes; new categories have emerged to describe modern scents:

    Bright Floral: combining the traditional Single Floral & Floral Bouquet categories.
    Green: a lighter and more modern interpretation of the Chypre type.
    Oceanic/Ozone: the newest category in perfume history, appearing in 1991 with Christian Dior's Dune. A very clean, modern smell leading to many of the modern androgynous perfumes.
    Citrus or Fruity: An old fragrance family that until recently consisted mainly of "freshening" eau de colognes due to the low tenacity of citrus scents. Development of newer fragrance compounds has allowed for the creation of primarily citrus fragrances.
    Gourmand: scents with "edible" or "dessert"-like qualities. These often contain notes like vanilla and tonka bean, as well as synthetic components designed to resemble food flavors. An example is Thierry Mugler's Angel.
    The five standard families consist of Floral, Oriental, Woody,Fougère, and Fresh, with the former four families being more "classic" while the latter consisting of newer bright and clean smelling citrus and oceanic fragrances that have arrived due to improvements in fragrance technology. With the exception of the Fougère family, each the families are in turn divided into three sub-groups and arranged around a wheel:

    Floral
    Floral
    Soft Floral
    Floral Oriental
    Oriental
    Soft Oriental
    Oriental
    Woody Oriental
    Woody
    Wood
    Mossy Woods
    Dry Woods
    Fresh
    Citrus
    Green
    Water
    Fougère

    The Fougère family is placed at the center of this wheel since they are large family of scents that usually contain fragrance elements from each of the other four families.

    In this classification scheme, Chanel No.5, which is traditionally classified as a "Floral Aldehyde" would be located under Soft Floral sub-group, and "Amber" scents would be placed within the Oriental group. As a class, Chypres is more difficult to place since they would located under parts of the Oriental and Woody families. For instance, Guerlain Mitsouko, which is classically identified as a chypre will be placed under Mossy Woods, but Hermès Rouge, a chypre with more floral character, would be placed under Floral Oriental.

    The word perfume used today derives from the Latin "per fume", meaning through smoke. Perfumery, or the art of making perfumes, began in ancient Egypt but was developed and further refined by the Romans and the Arabs. Although perfume and perfumery also existed in East Asia, much of its fragrances are incense based.

    The world's first chemist is considered to be a person named Tapputi, a perfume maker who was mentioned in a cuneiform tablet from the second millennium BC in Mesopotamia.

    Recently, archaeologists have uncovered what is believed to be the world's oldest perfumes in Pyrgos, Cyprus. The perfumes date back more than 4,000 years. The perfumes where discovered in an ancient perfumery factory. At least 60 distilling stills, mixing bowls, funnels and perfume bottles were found in the 43,000 square foot factory.In ancient times people used herbs and spices, like almond, coriander, myrtle, conifer resin, bergamot, but not flowers.

    The Iranian doctor and chemist Avicenna introduced the process of extracting oils from flowers by means of distillation, (the procedure most commonly used today). He first experimented with the rose. Until his discovery, liquid perfumes were mixtures of oil and crushed herbs, or petals which made a strong blend. Rose water was more delicate, and immediately became popular. Both of the raw ingredients and distillation technology significantly influenced western perfumery and scientific developments, particularly chemistry.

    Knowledge of perfumery came to Europe as early as the 14th century due partially to Arabic influences and knowledge. But it was the Hungarians who ultimately introduced the first modern perfume. The first modern perfume, made of scented oils blended in an alcohol solution, was made in 1370 at the command of Queen Elizabeth of Hungary and was known throughout Europe as Hungary Water. The art of perfumery prospered in Renaissance Italy, and in the 16th century, Italian refinements were taken to France by Catherine de Medicis personal perfumer, Rene le Florentin. His laboratory was connected with her apartments by a secret passageway, so that no formulas could be stolen en route. France quickly became the European center of perfume and cosmetic manufacture. Cultivation of flowers for their perfume essence, which had begun in the 14th century, grew into a major industry in the south of France. During the Renaissance period, perfumes were used primarily by royalty and the wealthy to mask body odors resulting from the sanitary practices of the day. Partly due to this patronage, the western perfumery industry was created. By the 18th century, aromatic plants were being grown in the Grasse region of France to provide the growing perfume industry with raw materials. Even today, France remains the centre of the European perfume design and trade.


    iran
  • Rasputin
    Senior Member
    • Jan 2005
    • 63906

    #2
    The Smell Factory

    At the New York City headquarters of International Flavors and Fragrances (IFF), master perfumers experiment with novel smell combinations in the largest fine fragrance perfumery lab in the world.


    IFF invests heavily in research, spending about $185 million annually to develop new smells for products like deodorants, shampoos and perfumes, and to create fresh flavors for snacks, packaged meals and drinks. To develop a new scent, perfumers combine dozens of oils, each with a distinct smell characteristic, to create a blend that they hope will exceed the sum of its parts.

    IFF has 5,300 employees and produces more than 31,000 compounds, about 60% of which are flavors and 40% fragrances.

    iran

    Comment

    • Rasputin
      Senior Member
      • Jan 2005
      • 63906

      #3
      همه ما از بوی خوش لذت می بريم. اگر بوی خوش نبود ادبيات بی شک چيزی کم داشت و شايد آيين ها و متون، تشريفات دينی و سنتی اين گونه راز آلود نبود.

      استفاده از بوی خوش سنتی قديمی است که در همه آيين های باستانی مرسوم بوده و هست. می گويند استفاده از مشک، صندل و عود برای اولين بار در بابل و ايران باستان شناخته شده و اين مواد خوشبو کننده برای ايجاد محيطی صميمی و نشاط انگيز استفاده می شده اند. در آن زمان مواد خوشبوی گياهی در مايعات روغنی حل می شدند که به آنها "عطرهای روغنی" گفته می شود.

      پس از کشف الکل استفاده از آن در ساختن عطر نيز بکار گرفته شد. فرار بودن الکل امکان انتشار سريع بوی خوش در محيط را به وجود می آورد و به اين دليل استفاده از الکل به سرعت در صنعت عطر سازی مرسوم شد.

      یوهان ماريا فارينا ۱۶۸۵-۱۷۶۶ اولين سازنده عطر با ترکيبات الکلی است و به همين دليل به عنوان پدر عطر سازی مدرن شناخته می شود. یوهان یا جووانی که اصلا ايتاليائی بود در ابتدا به فروش وسايل لوکس مشغول بود در سال ۱۷۰۹ "کارخانه ادکلن فارينا" را در شهر کلن آلمان تاسيس کرد و موفق شد اولين عطر تجاری دنيا به نام "ادکلن" را به بازار آن زمان عرضه کند.

      ادکلن، Eau de Cologne در زبان فرانسوی "آب کلنی" معنی می دهد. شهر کلن در آن زمان به عنوان يک مرکز مهم تجاری اروپا اعتبار داشت و استفاده از يک واژه فرانسوی به آن دليل بود که فرانسه در آن زمان زبان رايج دربارها، اشراف و تجارت در اروپا بود. واژه ادکلن که در ايران و بعضی از کشورهای ديگر به عنوان لفظی عام برای تمام عطرهای مردانه استقاده می شود از نام همين ادکلن فارينا گرفته شده است.

      عطر ادکلن که درآغار عطری سبک بود و درهنگام پيدايش خود در قرن هجدهم ميلادی تنها برای دربارها و اشراف اروپا ساخته می شد، به سرعت در دنيا شناخته شد. به دنبال اروپائيان، دربارها و اشراف کشور های ديگر دنيا نيز که به سنت های غربی گرايش پيدا کرده بودند، به سفارش عطر کلنی پرداختند و "ادکلن" کم کم به يک کالای صادراتی به کشورهای مختلف دنيا از جمله ايران، ترکيه و هند تبديل شد.

      مسئولين کارخانه عطر ادکلن می گويند که نام ايران برای اولين بار در قرن نوزدهم در آرشيو سيصد ساله اين شرکت به چشم می خورد، اما تاکيد می کنند که اين محصول پيش از اين زمان هم از طريق واسطه هايی که در ترکيه بودند برای دربار و اشراف ايران فرستاده می شده است. جعبه های مخصوصی که در آنها عطر گران قيمت ادکلن برای آخرين شاهان ايران تهيه می شده تا امروز در موزه ادکلن حفظ شده است. از ملکه ثريا، همسر دوم شاه سابق، که نيمه آلمانی بود و تا آخر عمر در شهر کلن زندگی می کرد نيز به عنوان يک مشتری مهم ادکلن نام برده می شود.

      موفقيت ادکلن در قرن نوزده به حدی بود که توليد کنندگان عطر می کوشيدند هر محصولی را ادکلن بنامند. يکی از معروفترين محصولات رقيب برای فارينا، ادکلن ۴۷۱۱ است. با وجوديکه ساخت عطرادوکلن فارينا سابقه ای طولانی تر دارد، عطرادکلن ۴۷۱۱ با قيمت مناسب تر در بازار جهانی شناخته شده تر است. شماره ۴۷۱۱ در واقع شماره پلاک شهرداری بر محل اين کارگاه عطرسازی بوده و به همين دليل اين عطر، به ادکلن ۴۷۱۱ معروف شده است.

      کارگاه آن زمان عطرادکلن فارينا، امروزه بصورت موزه ای در مرکز شهر کلن قرار دارد و کارخانه و فروشگاه آن توسط نوادگان یوهان ماريا فارينا اداره می شود.

      گزارش مصور بالا با بازديد از اين موزه و گفتگو با گرداننده امروزين آن که نواده هشتم فارينای بزرگ است تهيه شده و سرگذشت " آب کلنی" را توضيح می دهد.

      iran

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