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  • George Clooney


    'Escape' marks a return to the well for Clooney, who tackled CIA territory in both 'Syriana,' for which he won a Best Supporting Actor Oscar in 2005, and 'Confessions of a Dangerous Mind,' his directorial debut following the alleged shady CIA exploits of game show host CHUCK BARRIS.

    George Clooney is to co-write a comedy drama based on a CIA plot to smuggle six Americans out of Tehran during the 1979 hostage crisis through the creation of a fake film project.

    Inspired by Joshuah Berman's article in the current issue of Wired magazine, Clooney will pen the script with his 'Good Night, and Good Luck' co-writer Grant Heslov.

    The unusual operation began when CIA operative Tony Mendez was charged with the task of rescuing six Americans from Tehran. He teamed up with Hollywood make-up artists John Chambers and Bob Sidell to create a bogus film project to be shot in Iran, and so convincing were their endeavours that both Variety and the Hollywood Reporter wrote stories about the project.

    Mendez then travelled to Tehran and having found the Americans, told them to pretend they were Canadians on a scouting trip for the film. The result? Mendez and all six men made it back to the States alive and well.

    While only in the early stages of development at present, 'Escape from Tehran' is also a potential directing and starring vehicle for Clooney (unless this announcement turns out to be a rouse too).

    If you haven't already, you must read Joshuah Bearman's new Wired article about the 1980 hostage rescue involving the creation of a fake sci-fi movie. Here, I'll sum it up quickly: after the CIA and two makeup artists came up with a non-existent movie (it seemed so real that it had the trades fooled), an operative named Tony Mendez traveled to Iran under the guise of the production in order to sneak out six American hostages. And yes, it worked. Well, it didn't take long for a studio to realize the now-unclassified story would make a perfect non-non-existent movie. Warner Bros. has bought the rights to the article and has tapped none other than George Clooney and Grant Heslov to write the screenplay.

    The last film Clooney and Heslov wrote together was Good Night, and Good Luck, for which they received Oscar nominations. And considering the fact that Clooney has worked with CIA subject matter before, with his directorial debut, Confessions of a Dangerous Mind, and with his Oscar-winning performance in Syriana, the man seems fully qualified. Hopefully Clooney will also direct the film, which will be called Escape From Tehran, or at least appear in it. It would also be perfect if the project, labeled a dramedy, could employ the two makeup artists, but unfortunately one of them is no longer alive. John Chambers, who won an Honorary Academy Award in 1969 for his work on Planet of the Apes, died in 2001. However, his partner on the mission, Robert Sidell, who went on to do the makeup for E.T., may be able to contribute somehow.

    Escape From Tehran reminds me of two other films, Wag the Dog and The Last Shot, but it will likely be good enough to make me forget both (especially the latter). The only thing I ask for is a title change. Right now it sounds like it should feature Kurt Russell as Snake Plisskin, or worse, it could confuse people if it comes out anytime close to the Escape from New York remake. Here is my suggestion, which will associate it better with Clooney's and Heslov's work: You May Proceed. Good Luck. Okay, it isn't actually a better title, but if you read the article (do it!), my idea will at least make sense.

  • #2
    سفر "جرج كلوني" به تهران

    جرج كلوني و گرانت هسلو همكار فيلمنامه*نويس او بر مبناي ماجراي همكاري سازمان سيا، هاليوود و دولت كانادا براي خروج شش شهروند آمريكايي از ايران در جريان تسخير سفارت آمريكا در سال 1979* فيلمنامه*اي به نام "فرار از تهران" مي*نويسند.

    به گزارش مهر، استوديو برادران وارنر حق ساخت فيلمي سينمايي از روي مطلبي نوشته جاشوا برمان درباره اين داستان را خريده و اين فيلم را به همراه استوديو اسموك هاوس متعلق به كلوني و گرانت تهيه مي كند. به احتمال خيلي زياد خود كلوني اين پروژه را كارگرداني كرده و در آن بازي مي كند.

    به گزارش ورايتي، "فرار از تهران" نخستين همكاري كلوني و هسلو پس از فيلم موفق "شب بخير، موفق باشيد" است كه در سال 2006 نامزد اسكار بهترين فيلمنامه غيراقتباسي شد. مطلب برمن كه در شماره جديد مجله "ويرد" منتشر شده درباره توني مندز، مامور سابق سازمان سيا و استاد تغيير چهره است كه در جريان گروگانگيري ( تسخير لانه جاسوسي ) ماموريت پيدا مي كند شش آمريكايي را كه در مخفيگاهي در تهران پنهان شده بودند از كشور خارج كند.

    ايده او استفاده از يك فيلم هاليوودي جعلي بود و براي پياده كردن نقشه خود با جان چمبرز، گريمور معروف هاليوود تماس گرفت. چمبرز و باب سيدل كه او هم گريمور بود، يك استوديو فيلمسازي به نام Studio Six Prods ـ كه نام آن اشاره به آن شش آمريكايي داشت - به راه انداختند و به طور رسمي اعلام كردند نخستين فيلم اين استوديو تحت عنوان "خلافكاري كانادايي" در ايران توليد مي شود.

    آنها با انتشار شش آگهي تبليغاتي درباره توليد اين فيلم عملا نشريه هايي معروف مانند هاليوود ريپورتر و ورايتي را هم فريب دادند، به طوري كه اين نشريات مطالبي هم درباره اين پروژه منتشر كردند. مندز پس از هماهنگي با سفارت كانادا در تهران در ژانويه 1980 به تهران آمد و به آن شش آمريكايي گفت وانمود كنند كانادايي هستند و براي توليد يك فيلم هاليوودي به ايران آمده*اند.

    كن تيلور، سفير آمريكا در تهران و جان شيردان، مسئول بخش مهاجرت سفارت كانادا پس از تماس با فلورا مكدانلد، وزير امور خارجه وقت اين كشور و نخست وزير جو كلارك و كسب توافق آنها، براي آن شش آمريكايي كه سه نفرشان از ديپلماتهاي سفارت آمريكا در تهران بودند، پاسپورت كانادايي صادر كردند و در نهايت آنها روز 27 ژانويه 1980 از طريق فرودگاه مهرآباد، تهران را به سمت زوريخ در سوئيس ترك كردند.

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          • #6
            جورج کلونی از تهران فرار می کند


            جورج کلونی برنده جایزه اسکار شده است
            شرکت فیلمسازی جورج کلونی، هنرپیشه و کارگردان سرشناس آمریکایی در حال نوشتن فیلمنامه ای بر اساس داستانی واقعی به نام "فرار از تهران" است.
            شرکت فیلمسازی اسموک هاوس (smoke house) اعلام کرد که فیلم درباره یک متخصص جعل هویت سازمان اطلاعاتی آمریکا (سیا) است که شش آمریکایی را در حالی قاچاقی از ایران خارج می کند که تعدادی دیگر از آمریکایی ها کماکان گروگان هستند.

            استن روزنفیلد، سخنگوی این شرکت فیلمسازی به روزنامه هرالد میل گفت "فرار از تهران" در مرحله مقدماتی است و ساخت آن هنوز قطعی نشده است.

            ورایتی، نشریه معتبر آمریکایی که اخبار دنیای سرگرمی را پوشش می دهد، پیش از این اعلام کرده بود که فیلم "فرار از تهران"، ترکیبی از درام و کمدی خواهد بود و جورج کلونی فیلم را کارگردانی کرده و در آن به ایفای نقش خواهد پرداخت.

            ورایتی همچنین گفته که شرکت برادران وارنر نیز در ساخت و توزیع فیلم مشارکت خواهد داشت.

            فیلمنامه "فرار از تهران" بر اساس مقاله ای از مجله وایرد(wired) نوشته می شود که در آوریل امسال منتشر شد. این مقاله درباره عملیات نجاتی بود که توسط آنتونیو مندز، مامور بازنشسته سازمان اطلاعاتی آمریکا (سیا) در تهران صورت گرفت.

            آقای مندز به روزنامه هرالد میل گفت که وی در ازای سهیم شدن در حقوق فیلم، با مصاحبه با مجله وایرد موافقت کرده است.

            آنتونیو مندز در سال 1997 به عنوان یکی از 50 جاسوس برتر سازمان سیا انتخاب شد. وی مسئول عملیات آزاد کردن شش دیپلمات آمریکایی بود که در سال 1979 در سفارت این کشور در تهران به گروگان گرفته شده بودند.

            ماموران سازمان جاسوسی آمریکا برای آزادی گروگان ها، طرح های مختلفی ارائه کردند اما در نهایت قرار شد این شش نفر را به عنوان کارمندان یک استودیوی فیلمسازی کانادایی معرفی کنند و دولت کانادا نیز برای این شش نفر، گذرنامه کانادایی صادر کرد. وی در نهایت موفق شد این شش دیپلمات را از ایران خارج کند.

            در سال 1997 جزئیات این طرح برای اولین بار اعلام شد و سازمان جاسوسی آمریکا به مندز اجازه داد تا در این مورد علنا صحبت کند.

            بحران گروگان گیری در سفارت آمریکا در تهران در پایان دوره ریاست جمهوری جیمی کارتر اتفاق افتاد و عامل اصلی قطع روابط میان ایران و آمریکا بود.


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                  • #10
                    In the van, Cora checked her pockets again to make sure they contained nothing showing her real name. She and the others started playacting their new roles. The only exception was Joe Stafford, who was ambivalent about leaving behind colleagues at the embassy. He was unenthusiastic about the plan and had refused to change his appearance. Worse, he looked nervous.

                    Mendez had gone ahead. His office had been testing out Mehrabad, sending agents to enter and exit the country, checking the security. But he preferred to see things for himself. Like a bank robber sizing up a heist, Mendez could tell instantly if things felt right. He'd assess the customs and immigration desks — how diligent, for example, was the staff? More worrisome than the professionals were the komiteh and Revolutionary Guards standing behind them. Armed and unpredictable, they made the airport truly dangerous.

                    But that morning seemed calm. There were komitehs at customs, but their attention was focused on locals trying to smuggle out rugs or gold. Mendez had picked the early morning because by 10 am, Mehrabad would become a typically anarchic developing-world transit hub, with disordered lines of people, commotion, yelling, and shoving. That's when the Revolutionary Guard would show up to have their run of the place.

                    When Mendez saw that the military presence was light, he signaled all-clear to his film crew. The Americans entered the airport with trepidation. They hadn't been in public, after all, in nearly 80 days. Most of the escapees had worked in the consulate, and they all knew what it was like to scrutinize official paperwork, looking for flaws. Worse yet, three of them had worked in the visa line. They'd been seen by thousands of Iranians, many of whom might harbor grudges for being turned down.

                    Everyone breathed easier when check-in at the Swissair counter and customs went smoothly. The group made small talk as Schatz approached immigration, presented his passport, and got his stamp. The Americans were momentarily terrified when the officer disappeared with the rest of the crew's passports. But then he absent-mindedly wandered back to the counter with some tea and waved the group on to the departure lounge without bothering to match the yellow and white forms.

                    The wait was agonizing. Everyone kept their heads down. Joe Stafford picked up a local paper at one point and then remembered that Canadian film crews don't read Farsi. He also kept using people's real names, giving the others serious jitters. It was getting later and brighter. The airport was filling with people. They knew there was no backup plan. Mendez wasn't even carrying a gun, and the Revolutionary Guards were arriving, wandering around in fatigues and harassing passengers. Look them in the eye, Mendez had coached the six in case anyone was questioned. Be confident but seem innocent. But he knew from the agency's reconnaissance that the guards could be tough, even subjecting people to sudden body cavity searches. A mechanical problem caused a delay, and the Revolutionary Guards were starting to turn their attention to foreign passengers.

                    Mendez disappeared. He had a contact at the airport and went to check on the flight status. No sooner had he learned that the delay would be short than they heard the announcement: "Swissair flight 363, ready for immediate departure." As they boarded the plane from the windy tarmac, Anders noticed the word AARGAU was printed across the fuselage — the name of the Swiss region where the plane originated was strangely similar to that of their cover story. He punched Mendez's arm and said, "You guys arrange everything, don't you?"

                    Mendez smiled. After the plane's wheels went up, Mendez knew he had just pulled off one of the most successful deception operations of his career. The bar opened once they left Iranian airspace, and everyone ordered Bloody Marys. Mendez leaned into the aisle, looked back at the group, and raised a toast: "We're home free."

                    A few hours later, Studio Six Productions got its first and last call on the secret third line. Startled, Andi picked up the phone. "It's over," an unidentified voice said. "They made it out."

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                    • #11
                      اين مرتيكه ضد ايرانى است از فحش دادن به ايران و ايرانيان تو فيلمى كه با نيكول كيد من بود و همه اش بدنبال اين است كه فيلم هاى ضد ايرانى بسازه

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                      • #12
                        George Clooney hurt in motorcycle crash

                        WEEHAWKEN, N.J. - George Clooney and a companion were injured on Friday when their motorcycle collided with a car on a narrow road across the Hudson River from New York City.

                        Clooney suffered a broken rib and scrapes while his passenger, Sarah Larson, broke her foot in the 3:30 p.m. collision. The two were treated at Palisades Medical Center in North Bergen and released, Clooney's spokesman, Stan Rosenfield, said.

                        "He's doing fine," Rosenfield said. "He has a broken rib, it's very painful and it'll take a long time to heal."

                        Clooney and Larson were traveling north and sped up to pass on the right of a 1999 Mazda Millenia that was preparing to make a right turn, said Weehawken police Sgt. Sean Kelly. Both were wearing helmets.

                        It wasn't known whether the Mazda's driver, whose identity was not immediately released, used a turn signal, Kelly said. The accident was under investigation.

                        "It's a he-said, she-said right now, but you can't pass on the right in Weehawken or anywhere in Jersey," Kelly said.

                        Rosenfield said the accident occurred when the vehicle signaled a left-hand turn, but turned right and struck Clooney's motorcycle.

                        "The car signaled left. George was riding to the right. The driver decided to make an abrupt right turn and clipped George," he said.

                        The 46-year-old actor was in the New York area to film the dark comedy "Burn After Reading," co-starring Brad Pitt, John Malkovich and Frances McDormand.

                        Clooney's recovery shouldn't interrupt the production's schedule, Rosenfield said.

                        Clooney's latest film, "Michael Clayton," will be released next month. He and Larson have been spotted together at several film festivals and movie premieres in recent weeks.

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